Tag Archives: Ebenezer Scrooge

Loving Thy Neighbor and Ebenezer Scrooge

NeighborIt should not surprise me that my neighbor reads Charles Dickens’ “A Christmas Carol” and takes the position that Scrooge was better off before his conversion. He feels the problem in the story truly lies with Scrooge’s liberal neighbors who judge him negatively for his conservative values. My neighbor feels that they are hypocritically disobeying the Second Commandment to love thy neighbor when they judge Scrooge in this manner. I cannot entirely dismiss my neighbor’s point of view. Often times “judgment” does not come from a place of love and compassion. Frequently judgment of others results from the ego trying to mitigate the pain of its own shame. In this sense judgment is the ego telling itself, “Look! I am better than him.” Accordingly, to the extent Scrooge’s liberal neighbors did judge him in this way they certainly were not acting in accordance with the Second Commandment.

However, not all of Scrooge’s neighbors judged him in this manner. Certainly, Scrooge’s nephew did not judge him this way. Fred made a special point of inviting Scrooge to dinner despite his uncle’s abusive behavior. Fred did judge Scrooge in the sense that he made clear that he disagreed with Scrooge’s perspective on Christmas. But in my reading of the story this judgment came from a place of compassion. Fred truly wanted to connect with his uncle and not to put himself above uncle for the purpose of gratifying his ego.

It could be argued that Dickens himself is judging Scrooge in the egocentric sense. Certainly the following paragraph exudes this type of energy:

Oh! But he was a tight-fisted hand at the grindstone. Scrooge! A squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster…

Now, if I know my neighbor (and I think I have had enough experience with him to know him well enough although he does possess the ability to surprise me often enough) I can anticipate how he would react to that description. I suspect he would say that this is Dickens’ description and Dickens is the same type of judgmental, hypocritical liberal as are Scrooge’s neighbors. Assuming this actually reflects my neighbor’s potential reaction, it is interesting how he can project such a consistently schizophrenic view of the world into every situation. To him, even the author of a story (the creator of a universe in a sense) is unaware of his own warped, destructive and self-annihilating view of the world. It is as if there is a real story about Scrooge that exists elsewhere and Dickens’ version is a contrived piece of propaganda serving some nefarious purpose. If I am correct, my neighbor sees the story “A Christmas Carol” itself as a humbug in the fullest sense of the word.

I would argue, however, that the story is not written from an egocentric, judgmental perspective but from a compassionate one. True, in the opening scenes we see him acting abusively towards his clerk, his nephew, the two solicitors and the young caroler. When the ghost of Christmas Present displays scenes from his past we see that he seemingly valued money more than the love of his fiancé. All these exhibits display the negative aspects of Scrooge’s value system. But then we also see the reasons why this behavior came about. We hear of Scrooge’s neglectful upbringing by an abusive father who blamed him for Scrooge’s mother’s death. We also see glimpses of Scrooge’s good nature; his gratitude for Fessiwig’s kindness and his compassion for Tiny Tim. We see his remorse for pushing away his fiancé and his fear of dying an unredeemed man. All these examples are to show that Dickens wrote this story from a place of compassion for Scrooge. As readers we pick up on this energy and root for Scrooge despite his negative behavior.

Therefore, I cannot agree with my neighbor’s assessment that Scrooge was better off as a bitter, lonely, old man. Nor can I agree with my neighbor that all of Scrooge’s neighbors were hypocritical, judgmental liberals who hated Scrooge for his conservative values. Nor can I agree with my neighbor’s shame-based, egocentric judgment of the “liberals” he seems to despise. His judgment does not come from a place of compassion and in my assessment is in violation of the Second Commandment. I now must examine my conscience to determine where my judgment of my neighbor comes from.


Filed under A Christmas Carol

The Solipsism of Scrooge

ScroogeThere is a great deal of evidence in Charles Dickens’ novella “A Christmas Carol” to suggest that Ebenezer Scrooge lives within a solipsistic universe. Solipsism is the theory that the self is all that can be known to exist and possibly all that does exist. If Scrooge did in fact live in a solipsistic universe then the world he perceived himself to live in including all the other people inhabiting that world would be merely creations of his own mind. They would therefore have no real form or substance of their own. In his solipsistic universe only Scrooge would exist. This must be distinctly understood, or nothing wonderful can come of the idea I am going to relate. For the purpose of understanding I submit the following exhibits into evidence.

Exhibit A – Solitary as an Oyster

Scrooge himself felt very alone in the world. Dickens describes him as “solitary as an oyster” and that “… the very thing he liked [was to] edge his way along the crowded paths of life warning all human sympathy to keep its distance…” He lived alone in a dark, empty, “gloomy suite of rooms, in a lowering pile of building up a yard, where it had little business to be …” hidden behind other houses. I have read many books on dream interpretation that interpret a house in a dream to represent the human mind. If it was Dickens’ intent to have Scrooge’s house represent his mind I think the metaphor is apt. Finally, Scrooge pushed all other people aside as if they were truly “surplus population” and not entirely real to him. We see this when his nephew comes to his office to invite him to dinner, when the two solicitors visit and when the child sings a carol on the steps of his office. We also see it quite clearly in the way he treats his clerk, Bob Cratchit.

Exhibit B – Bah Humbug

Scrooge’s go to catch phrase is “Bah Humbug.” In my last post we discussed how the actual definition of “Humbug” is “language or behavior that is false or meant to deceive…” It is this deception that lies at the heart of the solipsistic universe. In other words, the other people in Scrooge’s world are not separate beings but rather creations of Scrooge’s mind. The fact that they appear to be separate on the surface level is the deception. Scrooge sees his universe as a humbug because the truth of it is not how it actually appears. In a sense there are two minds at work; one that is of the universe and lives within it (i.e, his ego) and one that is aware of the falseness of the universe (i.e., his true self).

Exhibit C – Jacob Marley

Marley’s ghost tells Scrooge that the purpose of his visit is to warn Scrooge that he has a chance to escape Marley’s fate. Scrooge sees that Marley is fettered with a ponderously long and heavy chain. Marley tells Scrooge he wears the chain he forged through his neglect of his fellow man and that Scrooge’s chain was as heavy as Marley’s chain currently appears to be seven Christmases ago. Scrooge is not aware of his own chain but the implication is clear that he will become painfully aware of the chain once he dies.

When Marley first appears, Scrooge explicitly states that he does not believe Marley is real and that he assumes Marley is a creation of his own imagination. There is then a dialog where Marley’s ghost attempts to convince Scrooge that he is real. Scrooge argues that Marley is probably the byproduct of poor digestion. This is not particularly convincing but it illustrates the point that Scrooge assumes himself to live in an (at least somewhat) solipsistic universe. Marley finally frightens Scrooge into admitting he believed in Marley. But what exactly does this mean that Scrooge “believed” in Marley? I think the only logical answer to this question is that when Scrooge says he believes in Marley he means to say he believes Marley is a separate person and therefore repudiates his own belief that he lives in a solipsistic universe. Perhaps this is repudiation is necessary in order for Scrooge to believe the redeeming power of the apparition. Perhaps this belief is necessary for his redemption.

But even if Scrooge is forced to admit that he does not live in a solipsistic universe this does not necessarily prove that his universe is more than just his mind. Consider the question, why was there no ghost that appeared to Marley before he died? Why does Scrooge deserve this chance at redemption and not Marley? It could be argued that Scrooge actually deserves redemption less than Marley given the relative sizes of their respective chains. The fact that Marley appears for Scrooge’s sake but no ghost appeared for Marley’s sake appears to be evidence that Scrooge does in fact live in a solipsistic universe.

Exhibit D – Your Past

The final piece of evidence I will present to support the argument that Scrooge lives in a solipsistic universe is what the Ghost of Christmas Past says to Scrooge when he makes his introduction. When he tells Scrooge who he is, Scrooge replies, “Long past?” to which the ghost counter-replies, “No. Your past.” The ghost is in effect telling Scrooge that his whole reason for being is for Scrooge’s benefit. In a sense the ghost would not have a reason for being if Scrooge did not exist. This only makes sense if Scrooge lives in a solipsistic universe. One can assume the subsequent ghosts exist for the same reason.


I think it is important that Scrooge’s universe is solipsistic because it explains both how and why his redemption takes effect. First of all, there must have been a repressed subconscious part of Scrooge that desired redemption. This subconscious part of him was his true self that had been suppressed by an overbearing ego. This ego had its genesis in Scrooge’s mother who died in childhood and his father who blamed him for his mother’s death. Scrooge “feared the world too much” and built up defenses against it by allowing his ego to take control. With the onset of advanced age his true self reached a point where either redemption happened now or it would never happen. Because Scrooge lived in an egocentric solipsistic universe his subconscious true self was able to send Marley and the three ghosts to ferry Scrooge through the redemption process.

This redemption process, however, was a transformation from solipsism to a world where the other had real form and substance. In a solipsistic universe, there is only the self. The “others” cohabitating this universe have no real existence. As such, they can be easily marginalized as “surplus population” and treated as lesser beings. But this is a lonely, dark, hostile and ultimately undesirable world to live in. When one lives in that world for too long he becomes like Scrooge; angry, bitter, afraid and distrustful of the other. Redemption can only happen when one frees himself from the shackles of the ego and migrates from its self contained, solipsistic universe into the real world in which the other exists with real form and substance. In order for the command to love thy neighbor to be meaningful, the neighbor must be real and other. Otherwise love of neighbor is merely a love for a phantom created by the mind.


Filed under A Christmas Carol

Humbug and the Spirit of Christmas

FredIn Stave I of Charles Dickens’ “A Christmas Carol,” Fred debates the value of the spirit of Christmas with his uncle Ebenezer Scrooge. The debate takes place in the evening on a dark, cold Christmas Eve in his uncle’s office. Fred invites his uncle to dine with him on Christmas Day and his uncle declines calling Christmas a “humbug.” I have always thought the term “humbug” meant something frivolous or devoid of meaning. It turns out the definition is a little more specific than this. According to the Merriam-Webster dictionary “humbug” is defined as “language or behavior that is false or meant to deceive people.” If this is the definition of humbug Charles Dickens intended it casts a slightly different shade on why Ebenezer Scrooge chose this word to describe Christmas.

Throughout the novella Scrooge retorts “humbug” to various things he encounters. For example, when Marley’s ghost appears in his room he utters “humbug.” It seems clear that by “humbug” he means that he does not believe what he sees to be actually real. But according to the definition of the word it would seem that he does not believe what he sees because he feels that someone or something is trying to deceive him. In the same respect he tells his nephew that “Christmas is a humbug” which I therefore take to mean that he does not believe in Christmas because he sees it as some sort of grand deception. Given his material preoccupation I assume he sees Christmas as a deception by the people who profit from the economic activity associated with the holiday. But perhaps he also senses a more spiritual deception going on. This would explain all the ghostly activity to come later that night.

In reaction to his uncle’s branding of Christmas a humbug, Fred begins to defend the holiday’s good name by saying:

… I am sure I have always thought of Christmas time, when it has come round — apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that…

Here he pays a winking acknowledgement to the reason for Christmas (i.e., Christ’s incarnation) but does so in a way to suggest that this is not the thrust behind this story (i.e., A Christmas Carol). I do not believe this is a Fox News “War on Christmas” type of thing. It is merely to say that the story Dickens is telling, although set within a Christian context is not about Christianity per se. Rather, it is the story of one man’s spiritual redemption from himself. In a sense Scrooge in this story has pulled the wool over his own eyes. He is perpetrating a humbug on himself, so to speak.

Fred further describes Christmas as:

 … as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. 

I assume most people recognize the childlike spirit of the season he describes. I remember feeling this more intensely when I was younger. Essentially, there is something about the Christmas season that makes people want to be nicer to each other, to relax their egocentric judgment and to pay less attention to false excuses for division such as politics, race and indeed religion.

Children are not as fixated on these things. They only come to value them when they are taught to value them by adults. Jesus himself said, “… Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.” (MT 18:3). Perhaps this childlike spirit of Christmas is a glimpse of the kingdom of heaven. Perhaps this childlike spirit is revealed when one pulls back the various humbugs of adulthood.

Clearly Scrooge is the antithesis of the childlike spirit Fred describes. For one thing, he is old. I have often heard people react to “A Christmas Carol” by saying that even though Scrooge redeemed himself he must have been disappointed or regretful that his redemption did not happen earlier in life. But this observation misses the point, I think. It is precisely Scrooge’s age in spirit that required redeeming. He had to become more childlike to enter the kingdom of heaven. As such, his physical age is symbolic of his spiritual age which exudes all the traits of ego dominated adulthood.

Fred continues:

And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!

Here he contrasts this childlike spirit of Christmas with the materialism with which it stands in opposition to. A childlike spirit is not cynical. It does not suspect a humbug around every corner. It is not greedy, grasping or full of ego. It is not mean spirited, judgmental or racist. Rather, the childlike spirit of Christmas is open hearted, compassionate, full of life, anticipation and excitement. It exposes the humbug of division and reveals the true fact that we are all “fellow passengers to the grave” and this earthly existence and our physical, skin deep appearances are not what is ultimately important.


Filed under A Christmas Carol

Everything I need is already within me

A Facebook friend posted this article entitled 18 Spiritual Teachings That Will Alter Your Mind and Improve Your Life. The first item on the list reads:

Everything I need is already within me.

Authentic power comes from finding balance within; it is not imposed from external authorities.

I have heard this notion many times in Yoga and Buddhist circles. The idea is that I am searching for external validation or seeking to find that place, thing or person that will make me feel complete, meanwhile, all the time I am already whole and complete. I feel like this is true but I don’t really have first hand experience that definitively proves it.

There is an analogy to James Altucher’s idea of “Choosing Yourself.” In the third grade my class performed the play “Hansel and Gretel.” Before the auditions I had this fantasy of being on stage, entertaining the crowd and receiving applause. After the auditions they assigned me the non-speaking role of “Background Tree.” I was devastated and humiliated. I cried all night in my bed because I felt unappreciated and unvalued. Twenty years later I felt the same way sitting behind a desk as an attorney performing document review for nine hours a day.

In Charles Dickens’ “A Christmas Carol” Ebenezer Scrooge is visited by three ghosts on Christmas Eve to facilitate his reclamation. Where these ghosts external authorities or were they some manifestation of Scrooge’s subconscious mind or soul? In other words, did Scrooge reclaim himself by finding the balance within by creating these ghosts? Did he choose himself?

There have been many times in my life where I picked up and moved from one place to another. There was always the feeling of liberation initially but eventually all the old feelings of inadequacy and being trapped caught up with me. In this example the external authority failed to make me whole permanently.

So again, it seems like a valid and true concept. On the other hand I find it difficult to muster these inner resources I supposedly have access to. Have I just not found my inner balance yet? Do I already have all I need and not know that I have all I need? If so, that does not seem satisfying to me because I still feel the way I did before I knew that I already had what I needed.

It would be nice to feel like I found my inner balance when it came to enduring criticism from other people.

When I was in law school I helped to represent a prisoner appealing a murder conviction. He had hand written his appeal on a yellow legal pad. Even though a jury of his peers had convicted him and everyone else (including me) knew he was guilty he still advocated for himself.

I can hold onto the idea that I am already complete and all I need to do is to find my inner balance. I can use this idea as an anchor for meditation even though I don’t necessarily entirely feel that way. I can always hope.

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Fellow Passengers to the Grave – Thoughts on “A Christmas Carol” Part II

Before Scrooge heads home for the night on Christmas Eve, he has three earthly visitations to his office.  The first (and most important in terms of the circularity of the story) is his nephew Fred.  Fred is an affable fellow and is Scrooge’s only living blood relation in the world.   He has a positive energy about him and wishes his uncle a robust “Merry Christmas.”  Scrooge rebuffs him with his first “Bah Humbug” of the novella.  Fred then launches into a diatribe about the positive things about the Christmas season.

… I am sure I have always thought of Christmas time, when it has come round — apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that — as a good time: a kind, forgiving, charitable, pleasant time: the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys.  And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!

I love the line about people being “fellow-passengers to the grave.”  By this he is saying that life is like a roller coaster ride that we all hopped on to at one point and we are all destined to hop off when the ride is over.  This begs the question, where and who we are when we are not on this ride.  There is also a subdued reference to Christianity but the spiritual universe that eventually unfolds in this story is somewhat different than (but not altogether incompatible with) the spiritual universe typically conceived by traditional Christianity.

Scrooge somewhat out of left field demands of Fred the reason why he got married.  Fred responds, “Because I fell in love.”  Scrooge objects to this reason for financial reasons.  That is, it would be irresponsible to get married if someone did not have enough money to support the family that the marriage generated.  It is funny that despite Scrooge accusing his nephew of being poor and his nephew tacitly agreeing with this description, in every version of “A Christmas Carol” I have ever seen Fred is depicted as well dressed and living in a very well apportioned house.  Perhaps he was living on credit.  At any rate we know that Scrooge’s real (but perhaps subconscious) reason for objecting to Fred’s nuptials is that Scrooge himself had missed out on marrying the woman he had loved for supposed financial reasons.  More on that later when I get to the Ghost of Christmas Past.

Fred then invites Scrooge to dinner on Christmas Day.  Scrooge rejects the invitation thus setting the stage for the story to resolve itself in the end by Scrooge accepting the invitation.  On his way out Scrooge wishes Bob Cratchit (who sympathizes with Fred’s view of Christmas) a Merry Christmas.  Bob is conflicted because he wants to be both loyal to his employer and to his heart at the same time.

The next Earthly visitors are the two gentlemen seeking money for the poor.  Scrooge rudely rebuffs them.  They also set the stage for Scrooge’s eventual redemption.  I don’t consider them as important as Fred in this regard but they do add some extra bulk to it I suppose.  The same is true with the last Earthly visitors, the children caroling outside.  They are also rejected by Scrooge.  There may be a parallel here with the boy outside Scrooge’s window on Christmas morning but I suppose I am getting ahead of myself.


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The Ghost of an Idea – Thoughts on “A Christmas Carol” Part I

Charles Dickens, a former resident of Lant Street.

Charles Dickens, a former resident of Lant Street. (Photo credit: Wikipedia)

I tried reading “A Christmas Carol” by Charles Dickens to my kids (ages 10 and 7) but we did not get very far.  The language is not very kid friendly.  Dickens dances around the ideas he is trying to convey especially in the beginning.

The tangent he goes off on about the door nail is a good example.

Old Marley was as dead as a door-nail.

Mind!  I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail.  I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade.  But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for.  You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.

I love the line “the wisdom of our ancestors is in the simile.”  It is true.  Ideas bubble up through our societal and historical subconscious making elegant connections and if we discard them or tamper with them they undermine the social fabric.  Kids, of course, want to be read a more straightforward story, which is too bad because I love the book.

I suppose my kids will have to be introduced to “A Christmas Carol” the way I was.  That is, by watching one of the many dramatizations produced over the years.  I think the first one I ever saw was a cartoon version.  I remember watching TV lying on my parents’ bed one afternoon around Christmas time.  I was alone and it felt cozy.  There are so many images in this story that make the outside world dark and cold but the inside is lit and warm.  The best version I ever saw was the version where Patrick Stewart played Ebenezer Scrooge.  The actors were appropriately cast.  Whereas, the worst was the one where George C. Scott played Scrooge.   He did not convince me that Scrooge was a terrible man.  Also, the actor who played Bob Cratchet appeared too well fed and philosophical for the role.  There was also a musical version I remember liking but it has been so long since I have seen it I am not sure I would like it still.

In the opening paragraphs, Dickens goes on and on about how Marley was dead and that this must be understood if anything good was to come from the story.  I have often wondered why Dickens thought the reader would have a problem believing that this particular character was dead.  My suspicion was that this phrase, “Marley was dead: to begin with.  There is no doubt whatever about that,” popped into his head and inspired him to write the story about a dead character reaching back from beyond the grave to affect matters in the material world.  Perhaps Marley was originally intended to be the main character before Scrooge revealed himself to Dickens through the creative process.

Really the first four or five paragraphs can be removed without taking anything from the story.  It seems to me that Dickens was brain storming here and arrived at what the story is really about in the sixth paragraph, Scrooge and his redemption.  But then, I suspect there were a few turns of phrase that Dickens became attached to (like “the ghost of an idea”) and left them in.


Filed under A Christmas Carol